Times Apologizes for Publishing Anti-Semitic Cartoon

The New York Times on Sunday apologized for a cartoon published in the Opinion pages of its international edition that drew widespread condemnation for being anti-Semitic.

The cartoon, which was published on Thursday in the print newspaper, portrayed a blind President Trump, wearing a skullcap, being led by Prime Minister Benjamin Netanyahu of Israel, drawn as a dog on a leash with a Star of David collar.

“The image was offensive, and it was an error of judgment to publish it,” The New York Times said in an editors’ note that will be published in Monday’s international edition.

Eileen Murphy, a New York Times spokeswoman, said the paper was “deeply sorry” for publishing the cartoon.

“Such imagery is always dangerous, and at a time when anti-Semitism is on the rise worldwide, it’s all the more unacceptable,” Ms. Murphy said in a statement on behalf of the Opinion section. “We are committed to making sure nothing like this happens again.”

The cartoon drew hundreds of critical comments from people worldwide. The Jerusalem Post, The Times of Israel, CNN, Fox News and others published articles about the cartoon.

“Apology not accepted,” the American Jewish Committee said in response to The Times’s editors’ note. “What does this say about your processes or your decision makers? How are you fixing it?”

The cartoon was drawn by the Portuguese cartoonist António Moreira Antunes and originally published by Expresso, a newspaper in Lisbon. It was then picked up by CartoonArts International, a syndicate for cartoons from around the world.

The New York Times Licensing Group sells content from CartoonArts and other publishers along with material from The New York Times to news sites and other customers.

The Times’s United States edition does not typically publish political cartoons and did not run this one, but the international edition frequently includes them. An editor from The Times’s Opinion section downloaded Mr. Antunes’s cartoon from the syndicate and made the decision to publish it, according to Ms. Murphy.

Ms. Murphy declined to identify the editor, who she said was “working without adequate oversight” because of a “faulty process” that is now being reviewed.

“We are evaluating our internal processes and training,” Ms. Murphy said. “We anticipate significant changes.”

James Bennet, the editor who oversees all content on The Times’s editorial pages, declined to comment in detail. “I’m going to let our statement speak for us at this point,” Mr. Bennet said.

Bret Stephens, an opinion columnist for The Times, wrote about the issue on Sunday and called on the newspaper to do “some serious reflection as to how it came to publish that cartoon,” which he called “an astonishing act of ignorance of anti-Semitism.”

And Vice President Mike Pence tweeted on Sunday, “We stand with Israel and we condemn antisemitism in ALL its forms.”

Sergio Florez, the managing editor for The Times’s Licensing Group, said the group took in 30 or more cartoons a week from CartoonArts through an automated feed to its website, where publishers can look through the cartoons and buy a license to reprint them. The group’s editors sporadically review the feed and remove work that is biased or racist, he said.

“Had we seen this cartoon in one of those sweeps, we definitely would have pulled it,” Mr. Florez said. The cartoon has been deleted from the Licensing Group’s collection, he said.

Nancy Lee, the executive editor of the Licensing Group, said the group would review its arrangement with CartoonArts.

The company’s licensing deal with The Times goes back several decades, Ms. Lee said. CartoonArts, based in New York, was founded in 1978 by the cartoonist Jerry Robinson to bring global cartoons to a wider audience. It is now run by his son, Jens Robinson.

“We receive and post cartoons from around the world of many shades of political opinion,” Mr. Robinson said by email. “The cartoon in question was viewed as political commentary. However, we understand the decision to remove it from the website.”

Expresso, the Portuguese newspaper, did not respond to requests for comment, and Mr. Antunes could not be reached. He has been a regular cartoonist for the paper since 1974, according to an online biography.

“The profession of cartoonist is a profession of risk,” Mr. Antunes said in an interview with the Portuguese Observer in 2015, after the fatal attack in Paris on the staff of the satirical newspaper Charlie Hebdo. “There is always fear, but there is no other option but to defend freedom of expression.”

Player, Nicklaus rail against the golf ball, green-reading books

Modern technology struggles to get inside the gates at Augusta National Golf Club. Cell phones will get you thrown out, and green-reading books can be left in players’ courtesy cars.

It’s an idyllic trip back in time for some, but for Jack Nicklaus and Gary Player, it’s simply a step in the right direction.

Nicklaus and Player reprised their annual role as honorary starters Thursday morning, kicking off the 83rd Masters with opening tee shots in front of thousands of eager patrons. The two men, who have combined to win nine green jackets, then went to the press building where they reminisced about decades spent together at the club as well as the state of technology in the modern game.

It was on that latter point that they formed a consensus.

“The golf ball has gotten ridiculous. I have so many things on that,” Nicklaus said. “The golf ball from 1930 to about ’95 gained about six yards. From 1995 to 2005, about 15 yards, and that’s a big difference. Probably the organizations won’t tell you that, but that’s exactly about what happened.”

It’s a familiar refrain from Nicklaus, who has railed against the technological advancements in the game for the last several years. He was joined in support by Player, who offered a warning that the governing bodies need to create a bifurcated ball of some sort, lest players begin driving the 445-yard first hole at Augusta National.

“We’d better start thinking. They are going to hit wedges to all the par-5s, and golf courses like St. Andrews, this marvelous golf course, is completely obsolete. They can drive probably six greens,” Player said. “So I don’t know where we’re going. And our leaders of such have got to get together now and form a ball for professionals that’s different to the amateurs. Let the amateurs have anything they’d like. … But we have got to stop this, otherwise it’s going to be a joke, in my opinion.”

Player didn’t just stop with his thoughts on the ball. The 83-year-old also expressed his distaste for green-reading books, which are not allowed at Augusta National and whose details was recently reined in by the USGA and R&A.

“Bobby Locke was the best putter that ever lived, and Tiger Woods was the best putter and so on. I never saw him take out a book to read the damn green,” Player said. “To read the green, you’ve got to look at a book. Well if you can’t read a green, you should be selling beans. It’s part of the game. Where are we going? Everything is so artificial.”

Ebooks are experiencing a crisis of confidence

A few weeks ago Microsoft closed their digital bookstore and customers have lost access to all of the ebooks they paid for. This is not a small startup, where people throw their hands up in the air and exclaim “oh well.” Microsoft is an established giant and the fact that they failed at ebooks  proves that Amazon dominates the entire US market and it is impossible to compete against them. Microsoft has also proved that customers do not have true ownership of an ebook, they are merely licensed.

Microsoft is just the latest in a longline of companies that have shuttered their bookstore and left readers in a larch. This includes  Blinkbox Books, Parable Books, Diesel e-books, Scholastic Storia, Sony Reader Store, the Barnes and Noble Nook UK store and a bunch of others have completely closed their doors and left customers with all sorts of questions and concerns when their apps stopped working and their library is deleted.

The vast majority of ebooks from major online retailers have digital rights management from Adobe or have developed their own DRM solution. If you buy an ebook Amazon, it is incompatible with your Kobo or Nook. The only way you can circumvent this is to illegally strip the DRM from your book. Opting into DRM basically is a matter of trust. You are trusting the company to send you the book and that they will provide access to it.

I believe that ebooks are suffering from a crisis of confidence.  It is beginning to be quite difficult to trust a retailer to not disappear overnight with your ebooks, no matter how big they are. You can literary spend thousands of dollars and they just disappear overnight. Microsoft is at least offering refunds, but most other retailers are there one minute and gone the next.

Maybe the crux of the ebook issue, is more psychological than anything.  People’s sense of psychological ownership is affected by three primary factors: whether they feel as if they have control over the object they own, whether they use the object to define who they are, and whether the object helps give them a sense of belonging in society. A recent study published in the journal Electronic Markets found that the vast majority of  people felt a constricted sense of ownership of ebooks versus physical books, based on the fact that they don’t have full control over the products. For example, they expressed frustration that they often could not copy a digital file to multiple devices. Along similar lines, many study participants lamented restrictions on sharing ebooks with friends, or gifting or selling the books, saying this made ebooks feel less valuable as possessions than physical books.

Sabrina Helm, a UA associate professor who researches consumer perceptions and behaviors. said “One of the conclusions of our research was that digital books and physical books are entirely different products,” she said. “ebooks feel like more of a service experience; overall, they seem to offer a more functional or utilitarian experience. You have much more richness if you deal with a physical book, where all your senses are involved.

Digital bookstores rise and fall and thousand of customers are left with nothing to show for the money they spent. This is likely the reason why every year, ebook sales fall a few percentage points and print is on the rise. Print is trustworthy, ebooks are not.

5 Business Books by Family Successes

Adam Witty is an Entrepreneurs' Organization (EO) member in Charleston, South Carolina, and founder and CEO of Advantage | ForbesBooks, the authority marketing specialists in working with business professionals to elevate brands and grow businesses through publishing. Adam has built the company into one of the largest business book publishers in America, serving over 1,000 members in 40 US states and 13 countries. We asked Adam to share some of his favorite family business titles:

Having my Dad by my side during the growth of my company, sharing his invaluable knowledge borne of building and nurturing his own successful company was not only a personal privilege but also a huge business asset.

I needed advice 24/7. He was there. I needed straight talk. He didn't mince words. I needed to be told when I was headed down the wrong path. He was not shy in sharing his opinions.

I'm not advocating starting a new business with family members. The pros and cons of this are well-documented, from the advantages of shared vision and company loyalty, to the disadvantages of festering familial conflict and lack of work-life balance.

What I do know is that taking the entrepreneurial plunge with a family member can lead to a special kind of success.

Here are five excellent business books co-written by family members who have taken that journey together.

1. Double Your Success: Principles to Build a Multimillion-Dollar Business  by Stephen Levi Carter and Dr. Sterling Carter

The Carters, twin entrepreneurs and co-founders of Sterling Staffing Solutions, share their journey from children of sharecroppers to owners of a hugely successful healthcare staffing business. The book is divided into four main sections: planning, implementation, a leader's mindset and potential pitfalls. The twins' humble background along with their military careers taught them about discipline and the need for a robust support system, traits that carry over into their business advice. Helpful tips and mnemonic devices (such as their CARES model: Compassion, Attitude, Respect, Excellence and Servant leadership) make it particularly user-friendly.

2. Being Relational: The Seven Ways to Quality Interaction and Lasting Change  by Louise Phipps Senft and William Senft

This husband-and-wife team are leaders in the field of mediation and conflict resolution. While it has the feel of self-improvement, the book is effective as a guide to improving business communication. It carries a message about the good that can come when, instead of focusing solely on winning a discussion or negotiation, we take the spotlight off the specific transaction and put it on the relationship, creating a win-win for all parties. Being relational involves focusing on seven attributes during any interaction: Being engaged, centered, grounded, clear, generous, humble and kind. The book contains elements of psychology, philosophy and spirituality, but is written in everyday language with a conversational style.

3.​ Made to Stick: Why Some Ideas Survive and Others Die  by Chip Heath and Dan Heath

The Brothers Heath have written a number of business books together. This is my favorite for students of marketing. The first step in any outreach, from an ad campaign to a sales presentation, is to create bold ideas that "stick"--ideas that "are understood and remembered and have a lasting impact--ones that change your audience's opinions or behavior." The authors identify the essential elements of a sticky idea: simplicity, unexpectedness, concreteness, credibility, emotions and stories. The premise: It's not the best idea that wins; it's the one that's best communicated. The Heaths use plenty of real-world examples of sticky ideas that have worked spectacularly or failed miserably. A little wordy, but that's a minor quibble. Best for anyone who needs to communicate their ideas more effectively and memorably.

4.​ From Problem Solving To Solution Design: Turning Ideas Into Actions  by J. Eduardo Campos and Erica W. Campos

This married couple are the founders of Embedded-Knowledge, Inc., a consulting firm helping business leaders design solutions to complex problems within their companies. They have worked in multicultural environments across four continents, dealing with intricate partnerships involving multinational stakeholders. In other words, they know how to problem-solve. It is this expertise they share here. The book is organized progressively in chapters that take the reader through the practical stages of identifying problems and designing solutions, employing real-life case studies and providing analytical tools that can be applied in virtually any context. Through their "IDEAS (Identify, Design, Engage, Act, Sustain) Framework" they have simplified what could be complicated, giving the reader a recipe for success.

5. Life is Good: The Book  by Bert Jacobs and John Jacobs

Life is indeed good for these brothers whose apparel company, Life is Good, is worth more than $100 million. Their book, like their business, is based on an attitude of optimism. Bert and John share the ride from their lower-middle-class upbringing to the runaway success of their business. They illuminate ten key "superpowers" as key to a sunny perspective and a terrific business plan: openness, courage, simplicity, humor, gratitude, fun, compassion, creativity, authenticity and love. Their story, illustrated with the company's iconic artwork, shows how to overcome obstacles, whether it's growing stronger from rejection, letting your imagination loose, or simplifying your life to focus on what matters most. It's a sweet, easy book full of good feelings.

The power of books

Finally, the first box had arrived. University of Miami English professor Frank Wills placed it on his desk and pried it opened, finding inside a collection of original black history and literature books that he knew every African-American student should have access to but didn’t.

So to correct that academic injustice, Wills immediately got to work, reproducing the books through his Miami-based publishing company and selling them at break-even cost to academic libraries across the nation.

That was in 1969. Over the next 20 years, other boxes would arrive, and Wills would end up publishing hundreds of existing titles by such famous black scholars and poets as W.E.B. Du Bois, Paul Laurence Dunbar, Booker T. Washington, and Phillis Wheatley. Originally published in the 1800s and early 1900s, the books are in the public domain and not subject to copyright restrictions. Wills published them as facsimile reprints with the original illustrations and typesetting.

But it was that first delivery of books 50 years ago that started it all. Back then, most of the nation’s universities and colleges didn’t have black studies departments. UM had been pondering the idea of starting such a program. One of the roadblocks was a lack of books on black history, culture, and literature.

Wills wanted to help, and one of the keys, he knew, was acquiring the books. But where could he find them? His big break came in 1969 on, of all places, a flight to Nashville, Tennessee.

Aboard the plane, he sat next to a philanthropist who was on his way to present a check to the library at the private and historically black Fisk University. So enthralled was Wills with the philanthropist’s mission that he decided to accompany him to Fisk after they landed, and it was at the Nashville-based university that Wills met librarian Jessie Carney Smith.

Together, they sifted through the Fisk library’s extensive collection of African-American books, selecting hundreds of titles that Wills decided he wanted to republish.

When he returned to Miami, he took out a bank loan to start his Mnemosyne Publishing company. And soon after, Smith, who is now dean of the library at Fisk, sent Wills the first shipment of books for republishing.

Wills would then sell the books to university libraries, giving academics and students access to the texts in their original form and language and helping to pave the way for schools of higher education to launch black studies programs in the years that followed.

He never profited on the sale of any of the books he published. “He wasn’t interested in making money,” said his wife, Susan Wills, a School of Law graduate and retired attorney. “He saw a need and just wanted the books to be there to better the lives of students. He wanted young students, through literature, to accomplish and succeed for their families, themselves, and society. And it was important for him to get the books into their hands.”

The titles ran the gamut—from William Wells Brown’s “The Black Man: His Antecedents, His Genius and His Achievements,” to Charles Chesnutt’s “The Colonel’s Dream,” to Du Bois’ “Quest of the Silver Fleece,” to Dunbar’s “The Love of Landry,” to Washington’s “A New Negro for a New Century.”

Today, Wills, 94, is retired and suffers from Alzheimer’s. Many of the works he published can still be found on the shelves of college and university libraries across the nation, including UM’s Richter Library.

“Every once in a while, I go to the Richter to look at some of the books. It’s such an incredible experience,” said Wills’ daughter, Susan Amat, who served as the founding executive director of UM’s Launch Pad and now heads her own entrepreneurship education company, Venture Hive.

Amat noted that Wills was sympathetic to Cubans who fled their homeland after Castro took power. So after he finished his African-American book series, he collaborated with Juan Manuel Salvat, the former owner of Ediciones Universal, a Miami publishing company that preserves Cuban history and culture, to publish works of major Cuban writers.

Wills’ life story would make an intriguing novel in its own right, said Susan Wills, noting her husband’s military service.

He grew up poor in a mixed Columbus, Ohio, neighborhood of Italian immigrants and blacks. After Pearl Harbor was attacked and the United States entered World War II in 1941, a then-17-year-old Wills dropped out of high school to join the Navy, persuading his mother to sign the papers that allowed him to enlist.

He spent the next four years in the Pacific, serving in the forward engine rooms on three submarines that undertook death-defying missions such as deploying mines, rescuing downed American pilots, and attacking enemy supply ships.

He was a whiz at math, and his proficiency in the discipline helped him get promoted, even over other sailors who had college engineering degrees.

But Wills has never really talked much about his military service. “He’s never wanted to boast about it,” said his wife. “It’s always been difficult getting information out of him. He did what he was asked to do and more. He never whined or complained about how tough it was. He just went about doing it. Service to others, always thinking about the greater good—his whole life is built around that.”

On one of the rare occasions that Wills did share an experience from his days in the Pacific, he recalled being trapped at the bottom of Tokyo Bay aboard a submarine with his shipmates for days, as their commander tried to avoid being detected by enemy ships.

After the war, he enrolled at Ohio State on the G.I. Bill but later transferred to UM, earning a bachelor’s degree in education and then attending the University of Maryland for his master’s.

He returned to UM to teach full-time, instructing students not only in English literature but also math. He also advised students, helped Vietnam War veterans get enrolled on the G.I. Bill, and recruited talented Latin American artists for the art department, according to his wife. An Iron Arrow inductee, he served as the honor society’s faculty advisor. But his true calling was mentoring students, she said.

“He was not an academic, not a scholarly kind of person,” said Susan Wills. “At heart, he was a mentor.”

Wills retired from UM in 1984 but continued to publish books. During Hurricane Andrew, a small tornado blew the doors off of his book warehouse in South Dade, destroying most of their inventory.

“He taught me how to be a much better person,” said Susan Wills. “He’s a part of the Greatest Generation.”

Harry Potter and the Half-Wit Dunces

Measured by its impact, the BDS campaign to isolate Israel has been about as successful as the Charge of the Light Brigade, say, or the theatrical run of Michael Cimino's Heaven's Gate, or any other cataclysmic failure that still inspires us, decades later, to ponder the bottomless depths of human ineptitude. And now, not content with their floundering boycotts, the champions of the anti-Israeli left have found a new villain: J.K. Rowling.

Why? Because Rowling is an outspoken critic of the anti-Semitic Jeremy Corbyn and his anti-Semitic Labour Party, a thought crime among those moral and intellectual degenerates who refuse to condemn hatred of Jews when it comes, as it so frequently does these days, from their side of the aisle.

Steven Salaita—the disgraced academic whose muddle-minded attempts at thinking got him jettisoned from a host of universities worldwide and who now spends his days theorizing on why Israeli hummus leads to genocide—entered the anti-Rowling fray, asking if it was possible to hide Harry Potter from his children, because, truly, there's no better mark of an open and curious mind than attempting to censure your children's reading list based on your political beliefs.

Not to be outdone, Rafael Shimunov, of the radical group Jews for Racial and Economic Justice, accused Rowling of depicting “viciously antisemetic [sic] scenes in Harry Potter that destroyed Jewish kids who loved you and now they're grown up and you think you can make it up by using right wing Netanyahu talking points about Corbyn. But that's also antisemetic [sic].”

Just what sort of wicked deeds did the beloved author commit to warrant the accusation of destroying Jewish children, a charge previously limited to, say, the Einsatzgruppen? In a flurry of tweets, the studious Shimunov goes on to explain: In the Harry Potter universe, the banks are controlled by Goblins, and the chief Goblin is called Griphook. Get it? Grip, because he has a tight grip on money, and hook because he has a hooked nose! Which means he's a Jew! Which makes J.K. Rowling some sort of slightly more feminine Goebbels!

The hatred is revealing. In their well-scrubbed moments, the boycotters insist that singling out the world's only Jewish state for opprobrium even though—or even because—it's a pluralistic democracy has nothing to do with Jews. You can, they insist, be an anti-Zionist and not an anti-Semite. L'affaire Rowling proves yet again that you can't: The author had nothing to say about Israel. Her concern was the hatred of Jews in Britain, a hatred the community itself had unanimously and unequivocally characterized as a clear and present threat. And for that the BDS lowlifes pounced, arguing that anyone who bravely stands with Jews and speaks out against anti-Semitism must be some sort of bigoted emissary of the dark King Bibi himself.

Previously, this sort of reasoning was reserved to those who dwelled in padded cells and spent their days lining up for meds. But now we have Twitter, where such mad drivel can pass for sophistication. But hey, it's the holidays, time to be kind and compassionate to each other. So in the spirit of brotherly love, if you believe that singling out the world's only Jewish state for harsh criticism is totally not anti-Semitic but criticizing a man who declared Hamas and Hezbollah his friends truly is, I hope you get all the help you need.