Friday, December 30, 2011

My Reading Goals For 2012

I can not believe another year is about to come to a close. 2011 has been a year of many milestones for me. On the blogging front it was my second full year of blogging and it found me far surpassing my goal of reading 80 books, reading the most books I've ever read in one year, with 97 books total read! I also got to make it to the Book Blogger Convention in New York for the first time which was wonderful to get to enjoy meeting a bunch of other book bloggers and trade stories. On a more personal front, I turned 30 this year which was a big milestone for me and I celebrated that by going to Bali. I also got engaged to the love of my life, Rob, and we will be enjoying planning a fun wedding next year which I am really looking forward to!
So, now, without further ado, here are my reading stats for 2011:
In total I read: 97 Books!
Most Books Read in One Month: March, April, May, July, and August all tie for 9 titles each!
Total Number of A and B rated books: 74 (woohoo!)
Total Number of C, D, and F rated books: 23
Total number of pages read: 26,144 (1,801 more than last year!)
I am pleased with the above because this means I really achieved my goals from last year. One of the big ones was to continue to get to know myself as a reader. This blog and keeping a reading journal was supposed to help me better pick out the books that I love over and over again. Seeing that I enjoyed 76% of the books I read this year as compared to 68% last year means I am definitely improving my hit rate!
My other goal for this last year was to have fun with blogging and I most certainly did, and I have you to thank for that!
My Reading Goals for 2012. I can pretty much guarantee that with planning a wedding I won't be able to read as many books as I did in 2011. However, what I do hope is that I have continued success with the books that I read being books that I love. I want to be able to share books that are wonderful with you and to make the time that I do have for reading as enjoyable as possible.
Additionally, I hope to focus on the genres that I know I love and have always brought me enjoyment: women's fiction and historical fiction.

Monday, December 26, 2011

The Cobra by Frederick Forsyth

Those who remember the earlier works of the writer Frederick Forsyth will be keenly anticipating The Cobra. Those who haven't read him for a long time may afford to approach the book as a new reader. Though his reputation for writing page turners (so exciting in fact you would stay up late to find out what happened next) would definitely affect your judgment positively when you take a decision whether to read The Cobra or not.
Everything at His Disposal
At the same time, it must be said The Cobra is different from the earlier novels from Frederick Forsyth. The concept of the book is the first reason. The Cobra is the nickname of the retired CIA operative who is entrusted a task by the US president to destroy the drug cartels of the world. Cobra asks for carte blanche to accomplish the task (which means he doesn't believe the task is impossible). Men, money, resources – he has everything at his disposal.
First Stage Belongs To Preparation
He spends one year for the preparation of the task. For the readers, however, it means nothing exciting (no action) takes place in the first half of the book. Although the readers are aware the drug cartels are utterly ruthless and that they engage in plenty of violence, the book doesn't turn out to be that scary after all. The book is fairly detailed when it talks about the preparation stage, you would enjoy every detail given in the first stage of The Cobra.
Twists Are There In The Cobra
Those used to this genre of writing expect twists and you will find them here too (though you cannot confine the book to the thriller genre only). The climax is really surprising and you don't really know anything when you reach the end and you reach there unexpectedly. The Frederick Forsyth book will just fascinate you if you like to see details and keep track of all you have read. Several wheels have been put in motion in one go, and it takes work to keep track of them all. There is a handy list of the characters given in the book and you may need to refer to them time to time unless you have a great memory.
Is It Completely Fiction?
Remember, everything is not going to be obvious from the first page itself, you need to figure out many things as you read The Cobra. If you lose track of what some of the characters are doing there, there is a gist of the paragraph given which will help you find it out. Overall it is an international intriguing thriller and you never know which part is fiction and what has come from real life events.

Wednesday, December 21, 2011

Strange Tales Of Liaozhai Is A Well-Known Collection Of Short Stories

Strange Tales of Liaozhai is a well-known collection of short stories written by Pu Songlin (1640-1715 AD) of the Qing Dynasty. The work is called “the No.1 book about vixen spirits and ghosts“. The study of the author was named “Liaozhai“ (literally meaning “amake-do studio“), hence the name of the book. It is said that Pu Songlin ran a teahouse outside his home, offering tea free of charge to passers-by, from whom he gathered material for the novel in return.
In the Ming Dynasty, there was a pair of brothers in Shanxi, Wang Chongwen and Wang Chongwu. Chongwen became a scholar when he was young and he thought he could make rapid advancement in his career, but he failed time by time. In order to begin his official career, he turned to ghosts in hopes of good destiny. At night, Chongwen met a beautiful woman named Meiniang, who claimed to be the daughter of the education official and flee here to find her father after being forced to get married by her stepmother. Hearing this, Chongwen was very happy and hid Meiniang in the study, considering that he could take her to find her father as he took the imperial examination. But it turned out that Meiniang was actually an evil ghost with a painted skin. Chongwen slept with Meiniang, who drank his blood and fished out his heart. Thanks to Chongwu’s master, who arrived after being invited by Chongwu and killed the evil ghost through hardships and difficulties. Finally, Chongwen was back from the death and started a new life.
Strange Tales of Liaozhai contains a total of 491 short stories, all of which are fascinating and colorful, with vivid character portrayal. A lot of the stories are about the worlds of human beings, ghosts and spirits. The most well-known stories include Xiao Qian, Xi Fangping, The Cricket and The Painted Skin etc. These stories are extremely popular and widely spread.
Through the stories of vixen spirits and ghosts, Strange Tales of Liaozhai indirectly reflects the social contradictions and people's thoughts and wishes of the 17th century China. Since the 19th century, the work has been translated into a dozen or so languages, becoming spiritual wealth shared by all people in the world. It’s also been adapted into numerous movies and TV series.

Sunday, December 18, 2011

Harry Potter And The Order Of The Phoenix

When the book Harry Potter and The Order of the Phoenix came out, everyone was asking the same question – will the book live up to the expectations created by the media hype? The first book had already become a literary legend. More importantly, was it possible to enjoy the book even if the readers hadn't read through numerous pages of previous books? Thankfully, the answer was – YES!
The Habit of Reading Was Back In Vogue
The previous book Harry Potter and the Goblet of Fire came out about three years ago accompanied with huge uproar of universal praise. The launch of Harry Potter and The Order of the Phoenix was really important in the history of reading, since the public libraries just lost their source of funding and the teenagers were gradually moving towards video games and movies. Parents were lamenting that kids were losing the art of reading. Suddenly all the kids were found partying around the idea of reading a book. That's not all; even their parents joined the fun.
Keenly Awaited
This is the fifth book of the series which was eagerly awaited due to the cliff hanger ending of the previous book. The ending of the fourth book created anticipation, due to return of Lord Voldemort to human form so he could rebuild his army. He was determined he would only allow the pure blood wizards to exist. The fourth book was darker and compelling. It only ensured the Harry Potter and The Order of the Phoenix was even greater in stature and in terms of the story.
Harry Is Not Flawless
The portrayal of Harry Potter in the movies tends towards obnoxiousness because he is treated as a symbol of perfection. In the books, he has never been flawless, in fact he also throws tantrums and he has been wrong in several cases. He feels abnormally awkward around the girls, though his flaws only improve the quality of the book. The readers feel that Harry is a character just like them and it only makes him more popular than ever.
The Government Doesn't Believe Harry
The followers of Voldemort are known as the Death Eaters and those who are fighting against them are known as The Order of the Phoenix. The government, however, doesn't believe what Harry is saying (about the return of Voldemort) as they think Harry is only trying to attract attention. The Ministry of Magic takes over the school and starts destroying all the real learning processes by inserting too many rules and censorship in the learning process. Overall, the book Harry Potter and The Order of the Phoenix is much more intense and it's a creditable achievement for J K Rowling to maintain her sense of humour in such a book.

Wednesday, December 14, 2011

The "Literary Tale In The Tang And Song Dynasties" Refers To Embryonic Form Of Short Novels


The "literary tale in the Tang and Song Dynasties" refers to embryonic form of short novels popular among the common people in the Tang and Song Dynasties in ancient China. Boasting complicated plots, structural integrity, beautiful writing, and vivid description, novels of this style have not only delicate and vivid description of the details, but also excellent psychological portrait. As for the characterization, a few words can contribute to the creation of distinctive persons. Diverse writing subject matters come up with chivalrous stories, ghost stories, historical stories, love stories, and so on, among which love, the eternal theme, dominates the largest number of novels, with the greatest impact on the future generations.
The "literary tale in the Tang and Song Dynasties" has been known as the legendary style by later generations, because these stories have bizarre and complicated plots, beautiful and elegant writing, with strong flavor of myth, carrying best wishes and ideals of the people at that time.
The legendary tales in the Tang Dynasty are mostly fictional stories, which give full play to the imagination of writers, who created vivid and distinct characters in the story; while the legendary tales in the Song Dynasty are mostly documentary stories with a unique way of writing. These tales are important bridges for the transition to classical Chinese novels in the Ming and Qing Dynasties, and they are a very important part in the history of Chinese literature development.
The literary tale in the Tang and Song Dynasties is a wonderful work in the Chinese literature, the most beautiful part in the history of Chinese novel. As a literary heritage, it is an important source of classical Chinese novels, nourishing the creation of novels, Chinese operas, and other literature types in the following generations.

Friday, December 9, 2011

The Literary Value Of Romance Of The Three Kingdoms


Romance of the Three Kingdoms, a classic historical novel of enormous influence, is widely known in China as one of the four great Chinese classic novels. Its author Luo Guanzhong, as the textual research goes, was a scholar lived in the late Yuan Dynasty and early Ming Dynasty, but his exact birth and death years are not known.
Romance of the Three Kingdoms is based on the history of the three kingdoms, Wei, Shu and Wu that strove to reunite the empire at the end of the Eastern Han Dynasty. The history of this period is expounded in the renowned history book Three Kingdoms, and stories of the heroes and their deeds within have also come down from various folk tales, plays, ballads and verses. Out of historical records and folktales, Luo Guanzhong created the enduring historical and literary masterpiece.
The last years of the Eastern Han Dynasty was a period of chaos and disorder, with various military forces rising to fight with one another. The three forces led respectively by Cao Cao, Liu Bei and Sun Quan, which were stronger powers at that time, all wanted to take over the power and reunify China, so the political and military fights with one another were very fierce. Romance of the Three Kingdoms takes those historical events and combats among the kingdoms into account and gives a full range of vivid and poignant portrayal of the political stratagem and warfare, among which the stories of Three Heroes Swear Brotherhood in the Peach Garden, The Battle of Red Cliff, and The Stratagem of the Empty City etc. are so well received that they have been common subject matter of other literary genres like drama and exerted an ever expanding influence.
The literary value of Romance of the Three Kingdoms lies much in the vivid characters sketched in the novel: witty Zhuge Liang, valorous Zhang Fei, loyal Guan Yu, young hero Zhou Yu, and imposing Cao Cao who is full of duplicity. All these figures are so vividly portrayed that in the conception of Chinese people, the characters and their characteristics are firmly connected, and thus have gradually influenced the concepts and customs of the Chinese people in the long history. For instance, Guan Yu is revered by later generations as "the Martial Saint" ("the Literal Saint" is Confucius), the saint of loyalty and courage.

Wednesday, December 7, 2011

Song Of Mulan Is A Long Narrative Folk Song China



Song of Mulan is a long narrative folk song of northern China in the Southern and Northern Dynasties. The song narrates the story of a girl named Mulan who disguised as a man and joined the army in place of her father. She feared no hardships and fought for ten years and made outstanding military feats. After return triumphal, she was unwilling to be granted the title of an official but only desired to recover her former status of a common woman. The song depicts the immortal character of Mulan, who is vivid and moving, and of legendary color as well. Mulan is a woman of outstanding ability, and a common person at the same time. She is not only a heroine but also a common girl. She is the combination of a brave warrior and a beautiful girl. She is industrious and kind yet fortitude and brave, honest and modest yet alert and energetic, loves her family yet makes her contribution for the country. She does not admire high post with handsome salary but is enthusiastic for a peaceful life. For over a thousand years, the story that Mulan went to the army in place of her father has become a household story in China and the image of Mulan has always been loved by people. The song has profound folk song character and described many life scenes and loves between the young people, so it is rich in the trace of life. In the long spreading process, Song of Mulan has remained the character of folk songs that is easy to remember and recite.
Song of Mulan is also a Yuefu poem. Yuefu (Music Bureau) was originally the music institution set at the reign of Emperor Wudi of the Western Han Dynasty. The responsibility of the institution was in charge of the music played in the palaces and to collect folk songs and music. After the Wei and Jin Dynasties, Yuefu became the name of a type of poems while the poems collected and sang by the Yuefu (Music Bureau) of the Han Dynasty were collectively called Yuefu poems. Yuefu poems are mostly the songs popular among the people and their forms can be in five words, seven words and irregular lyric. They pay close attention to narration; thus, demonstrate the social lives of the ancient times. Together with The Book of Songs, the Yuefu poems laid the realistic foundation for the Chinese poems. They are the precious heritage in the history of poem of China.
The Anthology of Yuefu Poetry compiled by Guo Maoqian of the Song Dynasty includes one hundred volumes. It is the most complete collection of Yuefu poetry that includes abundant materials. The collected works can be divided into two parts, i.e., the southern songs and the northern songs. Song of Mulan is selected from the collection.

Friday, December 2, 2011

The Book Of Dou E Yuan


Guan Hanqing was a famous Zaju (the Yuan Drama) playwright of the Yuan Dynasty, and one of the representative figures of ancient Chinese opera play writers as well. His best known work is Injustice to Dou E, which is one of "the four great tragedies of the Yuan Drama", the other three being Autumn in the Han Palace by Ma Zhiyuan, The Firmiana Rain by Bai Pu and The Orphan of Zhao by Ji Junxiang.
The period Guan Hanqing lived in was a time characterized by political corruption, social turbulences, and sharp class and national contradictions (mainly those between Meng and Han ethnic groups). People were living in great misery. Guan Hanqing's plays vividly reenact social reality and have a strong tinge of that period.
Injustice to Dou E exposes the dark side of the society of the Yuan Dynasty through the tragic death of a girl named Dou E. The heroine loses her mother at the age of 7 and is separated from her father at 10, when she was sold as a child bride to offset the debt. Not long after she grows up and gets married, her husband dies. Later she is subjected to the bullying and humiliation of hooligans and gangsters. As a result, she is wrongly accused of involvement in a murder case. Under the torture of the corrupt interrogating officials, she confesses to the false charge and is sentenced to death.
Being wronged, Dou E strongly condemns the corrupt officials, the heaven and the earth at the execution ground, vowing to retaliate against the injustice of real life. She makes three pledges before being executed - snowfalls in June, all her blood splitting on the 3-feet white silk sheet, and 3 years' drought in the local area. Through the depiction of Dou E, a kindhearted and unyielding girl resisting the feudal forces, the play expresses the author's heart-felt compassion for the oppressed people and strong denouncement against the dark side of society. It is an immortal treasure shining through the history of Chinese literature.

Tuesday, November 29, 2011

Book Of Etiquette And Ceremonial

 
The Yili (仪礼; literally "Etiquette and Rites") or Book of Etiquette and Ceremonial is a Chinese classic text about Zhou Dynasty rituals. The Yili, Zhouli 周礼 "Zhou Rites", and Liji 礼记 "Record of Rites" — collectively known as the "three ritual texts" — are Confucianist compilations of records about rites, ceremonies, protocols, and social customs.
Title
The title Yili combines the Chinese words yi 仪 "demeanor; appearance; etiquette; ceremony; rite; present; gift; apparatus" and li 礼 "ceremony; rite; ritual; courtesy; etiquette; manners; propriety; social customs". In modern Standard Mandarin, the compound yili 仪礼 means "etiquette; rite; protocol".
This ritual text was first called Yili in the (ca. 80 CE) Lunheng. During the Han Dynasty (206 BCE–220 CE), it was also called Shili 士礼 "Rites for Common Officers", Lijing 礼经 "Classic of Rites", Ligujing 礼古经 "Old Classic of Rites", or simply Li 礼 "Rites". Among Zhou Dynasty feudal ranks, this shi 士 was a "low-level noble; yeoman; common officer; scholar".
History
Many early Chinese texts were lost during the Qin Dynasty (213-206 BCE) burning of books and burying of scholars. When texts were restored during the early Han Dynasty, the Yili was extant in two versions: "Old Text" (supposedly discovered in the walls of Confucius's residence) and "New Text" (supposedly transmitted orally). Zheng Xuan (127–200) compiled an Yili edition from both the Old and New Text versions and wrote the first commentary. Wang Su (195-256 CE) wrote two books about the Yili and criticized Zheng, but Zheng's version became the basis for later studies and editions.
The Yili text was carved into the 837 CE Kaicheng Stone Classics, and first printed from woodblocks from 932-953 CE. In 1959, archeologists excavated some 1st-century Han tombs at Wuwei, Gansu and discovered a cache of wooden and bamboo textual copies. They include three fragmentary manuscripts of the Yili, covering more than seven chapters.
The first Western translations of the Yili were in French (Charles-Joseph de Harlez de Deulin 1890 and Seraphin Couvreur 1916). John Steele (1917) translated the full text into English.
Content

Friday, November 25, 2011

The Classic Of Poetry

The Book of Songs, formerly called Poetry, is the earliest general collection of ancient Chinese poems. It is also called Three Hundred Poems, for it includes 305 poems in total. Since Emperor Wu of the Han Dynasty, Poetry was regarded as a must read by the Confucians, so it is called The Book of Songs. The interpretation and study on The Book of Songs has been carried on generation after generation, and it is not stopped until now.Collected in The Book of Songs were poems popular around the region from the north of the Yellow River basin to the Jianghan Drainage Area during the period from the early Western Zhou Dynasty (the 11th century BC) to the mid Spring and Autumn Period. It is said that they had been compiled by Confucius.In the ancient times, poems are lyrics for accompanying tunes. The Book of Songs is classified into three parts according to contents, namely Feng (ballads), Ya (peoms from intellectuals or aristocrats), and Song (songs for praying). Feng, also called Guofeng, is mostly the collection of folk songs. It is divided into 15 groups and has a total of 160 poems, which mainly express the love between men and women and the dissatisfaction of the people toward the emperor. Ya contains 105 poems, including 31 articles of Daya and 74 articles of Xiaoya, most of which were written by court officials and aristocrats. Song collects 40 poems, which are songs for offering sacrifice and praising emperors by the aristocrats. They are usually accompanied with dance during the performance. Although the Book of Songs is a collection of works of many people, authors of most works are unknown, just a small part of them were researched out by later generations.The Book of Songs exerted a very profound effect on ancient China in terms of politics, culture, language, and even thinking. During the Spring and Autumn Period, diplomats often expressed words that they didn’t want to say by themselves or that were difficult to say by quoting sentences from the Book of Songs, which is similar to today’s diplomatic language. Confucius, a sage of China and who gave a high praise to the Book of Songs, claimed that people’s cultures, observation abilities and interpersonal skills could be highly improved through the study of the Book of Songs.

Wednesday, November 23, 2011

How To Write A Book


If you want to write a book on a particular topic, you can just start writing and keep on going. Once you have written around 75,000 words you have written a book. You can sell your book to a major publisher. You can be a bestseller in a few days and make good money.
This is the procedure for writing a book generally but chances of becoming popular this way are very thin. Before starting a book you must know that what you are going to write. You must have knowledge of audience that what they are going to like and if at all there is an audience for your kind of book. This may sound awkward but you have to convince a publisher while selling your book to them. You can sell books online as well in soft copy if you do not get a publisher.
Mostly, new authors start their book by getting inspired by any other book. They don’t think that they are almost rewriting a book and there may not be audience for the book they are writing.Generally there are two types of books – truth and lies that means nonfiction and fiction. Fiction ones are also called Novels. There are around hundred thousand books published each year only in English language. So you must know what type of book you are about to write. There are online books stores also where you can buy books online.
Let’s say you have read a Harry Potter novel and you are highly impressed with it. You also start writing a book and words come out of you pouring. You become enthusiastic and you write and write until your computer hard disk is full.This is great but while you are writing the book you should ask yourself that where and on which shelf your book will be kept in a book store or online book store. If you are not sure you should visit a book store yourself. You will see your book right next to Harry Potter books so it’s not that you have to write a book, you have to think a lot before writing a book.


Wednesday, November 16, 2011

The Chinese "Book of songs"

GUAN SUI
Guan-guan go the ospreys ,
On the islet in the river .
The modest , retiring , virtuous , young lady : --
For our prince a good mate she .
Here long , there short , is the duckweed ,
To the left , to the right , borne about by the current .
The modest , retiring , virtuous , young lady : --
Waking and sleeping , he sought her .
He sought her and found her not ,
And waking and sleeping he thought about her .
Long he thought ; oh ! long and anxiously ;
On his side , on his back , he turned , and back again .
Here long , there short , is the duckweed ;
On the left , on the right , we gather it .
The modest , retiring , virtuous , young lady : --
With lutes , small and large , let us give her friendly welcome .
Here long , there short , is the duckweed ;
On the left , on the right , we cook and present it .
The modest , retiring , virtuous , young lady : --
With bells and drums let us show our delight in her .
LU MING
With pleased sounds the deer call to one another ,
Eating the celery of the fields .
I have here admirable guests ;
The lutes are struck , and the organ is blown [for them] ; --
The organ is blown till its tongues are all moving .
The baskets of offerings [also] are presented to them .
The men love me ,
And will show me the perfect path .
With pleased sounds the deer call to one another ,
Eating the southernwood of the fields .
I have here admirable guests ;
Whose virtuous fame is grandly brilliant .
They show the people not to be mean ;
The officers have in them a pattern and model .
I have good wine ,
Which my admirable guests drink , enjoying themselves .
With pleased sounds the deer call to one another ,
Eating the salsola of the fields .
I have here admirable guests ;
For whom are struck the lutes , large and small .
The lutes , large and small , are struck ,
And our harmonious joy is long-continued .
I have good wine ,
To feast and make glad the hearts of my admirable guests .

Sunday, November 13, 2011

Unbroken: A World War II Story of Survival, Resilience, and Redemption

On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane’s bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War.
The lieutenant’s name was Louis Zamperini. In boyhood, he’d been a cunning and incorrigible delinquent, breaking into houses, brawling, and fleeing his home to ride the rails. As a teenager, he had channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics and within sight of the four-minute mile. But when war had come, the athlete had become an airman, embarking on a journey that led to his doomed flight, a tiny raft, and a drift into the unknown.
Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, a foundering raft, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will.
In her long-awaited new book, Laura Hillenbrand writes with the same rich and vivid narrative voice she displayed in Seabiscuit. Telling an unforgettable story of a man’s journey into extremity, Unbroken is a testament to the resilience of the human mind, body, and spirit.

Saturday, November 12, 2011

A book called Pilgrimage

Pilgrimage took Annie Leibovitz to places that she could explore with no agenda. She wasn’t on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson’s house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. “That’s when I started making lists,” she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud’s final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal.
Leibovitz went to Concord to photograph the site of Thoreau’s cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson’s home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln’s portraits have been saved. Lincoln’s portraitists—principally Alexander Gardner and the photographers in Mathew Brady’s studio—were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years.
The final list of subjects is perhaps a bit eccentric. Georgia O’Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson’s Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. “From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal,” she says. “It taught me to see again.”

Thursday, November 10, 2011

The DASH Diet Action Plan: Proven to Lower Blood Pressure and Cholesterol Without Medication

  The complete guide to lowering blood pressure and cholesterol-without medication-through a proven diet, exercise, and weight loss program
  Finally, the #1 ranked DASH diet is popularized and user-friendly. Unlike any diet before it, DASH, which stands for Dietary Approaches to Stop Hypertension, came out of groundbreaking NIH-funded research. Now, Marla Heller, MS, RD, who was trained by one of the primary architects of the DASH diet and is herself the leading dietician putting DASH into action for over ten years, shares the secret to making the diet easy and accessible, in THE DASH DIET ACTION PLAN.
Rich in fruits, vegetables, whole grains, low-fat and nonfat dairy, lean meats, fish, beans, and nuts, DASH is grounded in healthy eating principles that lower blood pressure; reduce the risk of heart disease, stroke, and some types of cancer; and support reaching and maintaining a healthy weight. No diet has a medical pedigree like DASH, and this book is a simple, actionable plan that can fit seamlessly into everyone's life and lifestyle. It includes:
  •   28 days of meal plans at different calorie ranges
  •   Simple tools to help you personalize a DASH Diet Action Plan for guaranteed success
  •   DASH-friendly recipes and shopping lists
  •   Tips for eating on-the-run
  •   Advice on healthy weight loss and exercise for every lifestyle.
Now, you can revolutionize your health and change your life-without medication. There are no magical combinations, no forbidden foods-just fabulous, healthy eating!

Tuesday, November 8, 2011

Currency Wars: The Making of the Next Global Crisis

  How the worldwide currency war, already under way, will soon affect us all.
  The debasement of the dollar, bailouts in Greece and Ireland, and Chinese currency manipulation are unmistakable signs that we are experiencing the start of a new currency war. Fought as a series of competitive devaluations of one country's currency against others, currency wars are one of the most destructive and feared outcomes in international economics. Left unchecked, the new currency wars could lead to a crisis worse than the panic of 2008.
Drawing on a mix of economic history, network science, and sociology, Currency Wars provides a rich understanding of the increasing threats to U.S. national security, from dollar devaluation to collapse in the European periphery, failed states in Africa, Chinese neomercantilism, Russian adventurism, and the current scramble for gold.
James Rickards, an expert who has worked at the highest levels of both finance and national security, explains everything we need to know about this growing global standoff. He takes readers around the world and behind closed doors to explain complex financial and political currents with absorbing firsthand anecdotes.

Saturday, November 5, 2011

Catherine the Great: Portrait of a Woman

The Pulitzer Prize–winning author of Peter the Great, Nicholas and Alexandra, and The Romanovs returns with another masterpiece of narrative biography, the extraordinary story of an obscure young German princess who traveled to Russia at fourteen and rose to become one of the most remarkable, powerful, and captivating women in history.
Born into a minor noble family, Catherine transformed herself into Empress of Russia by sheer determination. Possessing a brilliant mind and an insatiable curiosity as a young woman, she devoured the works of Enlightenment philosophers and, when she reached the throne, attempted to use their principles to guide her rule of the vast and backward Russian empire. She knew or corresponded with the preeminent historical figures of her time: Voltaire, Diderot, Frederick the Great, Empress Maria Theresa of Austria, Marie Antoinette, and, surprisingly, the American naval hero, John Paul Jones.
Reaching the throne fired by Enlightenment philosophy and determined to become the embodiment of the “benevolent despot” idealized by Montesquieu, she found herself always contending with the deeply ingrained realities of Russian life, including serfdom. She persevered, and for thirty-four years the government, foreign policy, cultural development, and welfare of the Russian people were in her hands. She dealt with domestic rebellion, foreign wars, and the tidal wave of political change and violence churned up by the French Revolution that swept across Europe. Her reputation depended entirely on the perspective of the speaker. She was praised by Voltaire as the equal of the greatest of classical philosophers; she was condemned by her enemies, mostly foreign, as “the Messalina of the north.”
Catherine’s family, friends, ministers, generals, lovers, and enemies—all are here, vividly described. These included her ambitious, perpetually scheming mother; her weak, bullying husband, Peter (who left her lying untouched beside him for nine years after their marriage); her unhappy son and heir, Paul; her beloved grandchildren; and her “favorites”—the parade of young men from whom she sought companionship and the recapture of youth as well as sex. Here, too, is the giant figure of Gregory Potemkin, her most significant lover and possible husband, with whom she shared a passionate correspondence of love and separation, followed by seventeen years of unparalleled mutual achievement.
The story is superbly told. All the special qualities that Robert K. Massie brought to Nicholas and Alexandra and Peter the Great are present here: historical accuracy, depth of understanding, felicity of style, mastery of detail, ability to shatter myth, and a rare genius for finding and expressing the human drama in extraordinary lives.
History offers few stories richer in drama than that of Catherine the Great. In this book, this eternally fascinating woman is returned to life.

Wednesday, November 2, 2011

The Nobel Peace Prize 2011

Alfred Nobel was interested in social issues. He developed a special engagement in the peace movement. An important factor in Nobel’s interest in peace was his acquaintance with Bertha von Suttner. Perhaps his interest in peace was also due to the use of his inventions in warfare and assassination attempts? Peace was the fifth and final prize area that Nobel mentioned in his will.

Henry Dunant, founder of the Red Cross, shared the first Nobel Peace Prize in 1901 with Frédéric Passy, a leading international pacifist of the time. In addition to humanitarian efforts and peace movements, the Nobel Peace Prize has been awarded for work in a wide range of fields including advocacy of human rights, mediation of international conflicts, and arms control.

The Nobel Peace Prize is awarded by a committee of five persons who are chosen by the Norwegian Storting (Parliament of Norway), Oslo, Norway.
The Nobel Peace Prize 2011 was awarded jointly to Ellen Johnson Sirleaf, Leymah Gbowee and Tawakkol Karman "for their non-violent struggle for the safety of women and for women’s rights to full participation in peace-building work".

Monday, October 31, 2011

How to read a book

  More than that– I never fell behind or stopped. I was always ahead of schedule for the entire year. So now, this coming year, guess what? I’d like you to do the same. Here’s how.
Why in God’s Name You Would Want To Do This
It feels awesome. It gives you an amazing amount of ideas. It helps you think more thoroughly. It’s better than TV and even the internet. It makes you understand the world more. It is a building block towards a habit of completion. Did I mention it feels awesome?… whatever, just do it already.
Why One a Week?
First of all, why so many, why not just “read more books?” I’d argue that setting a massive goal, something crazy like one a week, actually helps. To make a comparison, the body reacts strongly to large wounds, expending significant energy to heal them. Small wounds, it doesn’t think much of, which means they can sometimes take longer to heal. So setting a massive goal will make you take it seriously.
So, that’s first. Make your goal massive and unreasonable so that you freak out a little. :)
One Day at a Time
The average book I read was maybe 250-300 pages. Some were larger, some were smaller. I broke this down to 40 pages a day, which I read early on so I can get it over with. It’s an easy, manageable goal, which doesn’t seem nearly so daunting as 52 books in a year. This is critical to managing your emotional state, making it feel like it’s totally reasonable.
Make It a Routine and Stack It
I have a habit right now of getting up, showering, etc., and then going out for breakfast every morning, sitting at counter at the same restaurant, and drinking coffee until I’ve read my 40 pages.
Why do I do it like this? Because I know that I’m kind of weak-willed. I’m betting you can admit this about yourself too, and doing so will help you set everything into its proper place.
Oh, and a protip: Set it up early in the day, as early as possible. Like the Artist’s Way’s morning pages and Twyla Tharp’s exercise regimen (discussed here), it must occur early or we will put it off. This is the same with every habit– you must chain them together for them to work.
Use Every Moment
If you have a commute, use it. If you have a lunch break, use that. This is something I’m just figuring out, but the ability to whip out your book quickly and read 2 pages will help you out significantly, especially in getting ahead, which will be your biggest asset and give you a rewarding feeling. Further, getting ahead will help you take your time with the hard books that are really dense and worth taking time on.
It’s Ok To Give Up… Kind Of
If something sucks (or feels tough), it’s ok give up on it– for now. You can do this when you’re ahead of schedule and it won’t screw with you too badly, and then you can go back to that book every little while until you finish it.
I did this a number of times this year, which means the number of books I started was probably in the 60-65 range (I finished 54.)
It’s Ok To Cheat
Is your deadline closing on you, and you feel you may fall behind? Holy crap! Ok, it’s time to cheat. Choose a quick book and read it, something you may have read before, enjoy a lot, and can breeze through.
“This is cheating,” you may say. I would agree. But the short term cheating to help yourself succeed in the long run on this goal is more important than hard-headed idea that every book you read has to be frikkin War and Peace. It doesn’t. This is to enrich your life, not to make you feel like crap.
By the way, even small books can be incredible. This year, I read the following books that were small but awesome: The Dip, The Little Red Book of Selling, The Five Secrets You Must Discover Before You Die, Man’s Search For Meaning, Vagabonding, and Of the Dawn of Freedom.
Never Fall Behind
Never “owe yourself one” or deduct from the bank account, saying you’ll get back to it later. Your weekly deadline (the first is on January 7th) will help you stay on track, but falling behind may make you feel helpless and make you consider giving up. You have to control your emotional state from dropping to this level, where you feel it’s hopeless, etc., and you do that by always being ahead of schedule.
In Conclusion
Reading has made me a much better, more complete, and happier person. All the world’s wisdom is contained in books– most of it is not on the internet or known by people in your social group, so this can really help you expand, if you let it. So start today.

Thursday, October 27, 2011

To write should choose a best time

  I have been reading Claire Tomalin's bicentennial biography of Charles Dickens – the latest in a long line that begins with The Life of Charles Dickens by the novelist's friend and adviser John Forster, and includes important studies by Peter Ackroyd, Michael Slater and, most recently, Becoming Dickens by Robert Douglas Fairhurst.
The thing I always take away from reading about the Inimitable, as he styled himself (half-joking), is his prodigious energy and his Victorian capacity for sheer hard work. Reviews, letters, petitions, journalism, stories, plays, scraps of poetry, more letters on myriad topics (from interior decor to prison reform), and finally of course the 14 great novels themselves.
But then, as you go deeper into Tomalin, you discover that Dickens, in his prime, used to compress his literary energies into five hours, roughly 9am to 2pm, after which he would walk incessantly, and put his mind into neutral. He might return to what he'd written in the morning later in the evening, but those five hours held the key to his output. Which raises the question: what's the best time of day to write? and its corollary: how many hours are necessary?
Some writers (Dickens among them) are larks. Others – more nocturnal – are owls. Robert Frost, whose remote Vermont cabin I visited recently in company with his biographer Jay Parini, never started work till the afternoon, and often stayed up till two or three in the morning, not rising until midday, or even later. Proust, famously, worked night and day in a cork-lined room. I remember reading somewhere that Raymond Chandler observed that it was impossible to write well for more than four hours a day. What do you do in the afternoon?
There's also the question of how long it might take to complete a novel. Here, you encounter literary legends. Faulkner claimed to have completed As I Lay Dying in six weeks. In the mid-1930s, PG Wodehouse, who wrote fast once he had the mechanics of his plots straight, polished off the last 10,000 words of Very Good, Jeeves! in a single day. In his autobiography, A Sort of Life, Graham Greene describes writing Stamboul Train on benzedrine, to pay the bills, working against the clock. Further back, Samuel Johnson wrote Rasselas, which is short, in a fortnight to defray the expenses of his mother's funeral. Or so it's said.
More usually, a 60-70,000 word novel seems to take at least a year to complete, allowing for two or three drafts, although often the first, rough outline can get written in a matter of weeks. The strange truth about a lot of fiction is that the dominant moments that animate an entire novel can occur to the writer in a matter of minutes. After that, in the words of one New Zealand writer I recall with affection, "it's just typing".
Dickens, of course, lived in the golden age of the typesetter. His strong, decisive manuscripts (he boasted a very clear hand) were swiftly transformed into galley proofs, for endless re-writing, the really time-consuming part of the process. The revision is the bit that many writers really enjoy, once the heavy lifting of the first draft is done.

Tuesday, October 25, 2011

The Landmark Books of Haruki Murakami

  We simply haven’t showcased enough of Japan’s writing talent so let’s start with Haruki Murakami. He writes novels, he writes short stories, he writes non-fiction, he has a shelf filled with literary awards and he’s sold a lot of books.
Murakami is one of the most important figures in modern literature and is always prepared to challenge readers and critics with books that don’t conform to traditional narrative structures. Acclaimed as his fiction is, one of Murakami’s most engaging titles is about running – his 2008 book, What I Talk About When I Talk About Running, shows another side of his character.
He started writing at the end of his twenties and his debut novel was called Hear the Wind Sing. He followed that book with a sequel called Pinball, 1973. A Wild Sheep Chase completed his ‘Rat’ trilogy.
In the mid-1980s, Murakami penned a fantasy called Hard-Boiled Wonderland and the End of the World, and then wrote Norwegian Wood – a two-volume bestseller about nostalgia, loss and sexuality that really put him on the map.
The 1990s saw The Wind-Up Bird Chronicle (a novel about an unemployed man that shows an apparently mundane life is actually very complicated) and Sputnik Sweetheart (a novel about loneliness and conforming to society’s expectations).
This century he was been acclaimed for Kafka on the Shore (an unconventional narrative with two plots running side by side) and also published an anthology called Birthday Stories, which is just that, and includes work from Raymond Carver, David Foster Wallace and Paul Theroux.
Haruki Murakami has climbed two distinct literary mountains – first making the grade in Japan and then having his English translations acclaimed by literary critics in North America and Europe. His team of translators deserves a nod of appreciation.
Murakami latest novel is 1Q84, published in Japan in 2009 but the English translation did not appear until 2011.

Sunday, October 23, 2011

Is reading on the loo bad for you?

  From the moment Ron Shaoul took it upon himself to investigate the practice of reading on the toilet, scouring medical literature and turning up nothing of note as to its public health consequences, the situation became clear that here, on his hands, was a big job.
Shaoul's curiosity was driven by his work as a doctor specialising in paediatric gastroenterology. He mustered some colleagues, drew up a questionnaire and had hundreds of people of all shapes and sizes complete it. What resulted was perhaps the most scientific attempt yet to shine light on a habit that rustles unseen behind closed doors.
Shaoul, who published his study in 2009, lamented that toilet reading was woefully neglected by scientists, considering the habit probably dated back to the emergence of printed books. Writers, on the other hand, have shown no such aversion. For some, their authority on the matter has bordered on the connoisseur.
The anonymous author of The Life of St Gregory couldn't help but notice that the toilet of the middle ages, high up in a castle turret, offered the perfect solitude for "uninterrupted reading"; Lord Chesterfield too saluted the benefits, recounting the tale of a man who used his time wisely in the "necessary house" to work his way through Horace. This was but the beginning.
No writer owned the arena of toilet reading more than Henry Miller. He read truly great books on the lavatory, and maintained that some, Ulysses for instance, could not be fully appreciated elsewhere. The environment was one that enriched substantial works – extracted their flavour, as he put it – while lesser books and magazines suffered. He singled out Atlantic Monthly.
Miller went so far as to recommend toilets for individual authors. To enjoy Rabelais, he advised a plain country toilet, "a little outhouse in the corn patch, with a crescent sliver of light coming through the door". Better still, he said, take a friend along, to sit with you for half an hour of minor bliss.
From a medical standpoint, there are plenty of questions to ask of toilet reading. Most can be worded in vague, euphemistic terms that convey the gist without delving into coprological detail. Does reading material become irreversibly infused with nasty contaminants when carried into the toilet? How long can unpleasant microbes live on glossy magazine covers or, for that matter, the pages of a newspaper? And what does the straightforward act of reading on the toilet do for bowel movements?
Val Curtis, director of the Hygiene Centre at the London School of Hygiene and Tropical Medicine, is a self-confessed toilet reader. There is, she says, a theoretical risk. To be blunt, bugs in your poo can get on your hands, be transferred to your reading material, and on to the hands of some other unfortunate. That risk is quite slim though. As Curtis says, "we don't need to get anal about it".
"The important thing is to wash your hands with soap after using the loo to get the bugs off," Curtis says. This way, even if you flicked through a shit-smeared copy of the Metro left on the toilet floor at Reading station, washing your hands before leaving should keep you quite safe. Of course, if you ran your hands over the most soiled pages, picked your nose and rubbed your fingers in your eyes, you might well get an infection. For the determined, there is always a way.
Microbes don't fare too well on absorbent surfaces, and might survive only minutes on newspaper. But plastic book covers and those shiny, smooth surfaces of Kindles, iPhones and iPads are more accommodating, and it's likely bugs can live on those for hours. A recent study by Curtis suggests that in Britain one in six mobile phones is contaminated with faecal matter, largely because people fail to wash their hands after going to the toilet.
Curtis, who is writing a book on disgust, says evolution has honed our sense of infectious risk. Hence our revulsion of bodily fluids and all things excremental, particularly when they are other people's. But a squeamishness of reading in the toilet is probably our primitive selves making us over-sensitive. "Disgust helps us avoid the bugs that make us sick," she says, "but it evolved in ancient times. We now have this psychological tendency to over-detect contagion."
Shaoul, who works at the Bnai Zion Medical Centre in Haifa, Israel, agrees that there is little to fear from unpleasant bugs when reading in the toilet. Most people who indulge in the habit – and his questionnaire pointed to more men and more educated, white-collar workers – do so at home or at work with their own material, rather than in random excrement-spattered lavatories.
More interesting to Shaoul is whether the simple act of reading on the toilet has an impact on bowel movements. "We thought sitting and reading while you were on the toilet might be relaxing and make things go better," Shaoul says. "We thought we might cure the world of constipation with our research."
Shaoul cast his net wide. He received completed questionnaires from 499 men and women, aged 18 to over 65 – some unemployed or students, others builders and academics; some from rural villages, others from the city. More than half of the men (64%) and 41% of the women confessed to being regular toilet readers. More often than not, they described their reading material as "whatever is around". In practice, this usually meant newspapers.
It transpires that toilet readers spend more time on the loo and consider themselves less constipated than non-toilet readers, but other measures of their defecation habits show the two groups hardly differ. Shaoul's work hints that toilet readers suffer more haemorrhoids – something that made for cautionary news stories around the world – but the effect is neglible.
Finally, Shaoul concluded that reading on the toilet is widespread, alleviates boredom, and is ultimately harmless. This rings true to Curtis. "I always have New Scientist by the toilet. I use it as distraction therapy. I don't particularly want to think about crapping."

Friday, October 21, 2011

The Booker's narrative arc must change if its cultural dominance is to continue

A week is a long time in Grub Street. It seems only yesterday that the Man Booker was in the grip of an apparently terminal crisis provoked by the announcement of a rival, the Literature prize, and compounded by the worst shortlist in living memory.

Now, with Julian Barnes declared the 2011 winner for The Sense of an Ending, and the annual Guildhall dinner safely negotiated, the air of panic and atmosphere of annus horribilis has dissipated. Strangely, even Dame Stella Rimington's bizarre and defensive speech from the chair (aptly described by Sam Jordison) now seems like the buzz of interference you get on a radio before tuning into the right station. So how did the Booker get out of the locked room of "readability" into which it had incarcerated itself?
By a whisker, is the answer. On the night itself, it seemed as if former chairman of Booker plc Jonathan Taylor would continue his impersonation of those post-revolution Bourbons who had "learned nothing, and forgotten nothing". He insisted on telling the Booker's diners the sales figures for last year's winner, The Finkler Question, and providing details of its foreign rights deals. You could see people shaking their heads in dismay at remarks that were barely appropriate for the works outing of a book warehouse union. What about contemporary fiction? Whither the culture of the English-language novel?
Well, eventually, we were allowed to think about books – specifically, about this year's winner. As is often the case in the book world, it's the quality of the work that provides a reality check, and prevents a drama from becoming a crisis. Barnes's 11th novel is perhaps not his best, and nowhere near as original as Flaubert's Parrot, but it is a work of art, and conforms to the high standard set by previous winners.
This is not a negligible point. Say what you like about this prize – and most of the commentariat have done that pretty freely this year – Booker has a record of picking winners, from In a Free State (Naipaul) and Rites of Passage (Golding) to Oscar and Lucinda (Carey) and Disgrace (Coetzee). Among UK literary prizes, only the Orange comes close in providing an appealing mix of the literary and the commercial – choosing titles that stand the test of time, at least in the short term. A lot of the credit there, I think, goes to Kate Mosse, who is as spirited and youthful as she is tough and brand-conscious. The Booker could do worse than find itself a Mosse to enunciate its vision for the future.
And that brings up another thing: compared with all the other great literary prizes, even the Orange, the Booker is impressively global. This is why its choice matters, why so many readers around the world are exercised by it. Indeed, part of the trouble it has got into lately derives from the disjunction between its 21st-century appeal to a global English-language audience and its 20th-century, literary London origins and organisation. The one is contemporary, the other in danger of becoming hopelessly outmoded.
I wrote last week: "The forthcoming prize dinner at the Guildhall next Tuesday will be fraught with interest." That proved true. In the end, however, there was a palpable sense of relief that good sense had prevailed, and that justice had been done to the best book on the shortlist.
In preparation for 2012, let's hope the placemen and women of the Man Booker don't sit back with a sigh of relief, and refuse to address the issues raised by their critics. The prize is in need of some urgent reforms. Many close to the heart of the organisation are privately anxious to address the way to ensure another 25 years of prize patronage. The Booker's dominant place in the cultural landscape is neither guaranteed, nor automatic; it has to be earned. Otherwise others, such as the Literature prize, will step in and take its place. The Guildhall evening speaks of grandeur, security and a certain cultural arrogance. But it's completely out of sync with the reality of the creative society whose activity it adjudicates.
For instance, it's notable that, with the exception of the winner and his publishers, everyone associated with the shortlist – writers, agents, publishers and so on – was under 45. Contemporary fiction is, generally, not about the old. Yet the Booker persists in handing the judging process to pensioners and retirees such as Rimington, who will go down in the Booker annals as the woman who compared London's literati with the KGB.

Thursday, October 20, 2011

Snuff (Discworld Novels) by Kindle Edition

     The new Discworld novel from the master features the popular Sam Vimes, Commander of the City Watch.
 
    It is a truth universally acknowledged that a policeman taking a holiday would barely have had time to open his suitcase before he finds his first corpse.And Commander Sam Vimes of the Ankh-Morpork City Watch is on holiday in the pleasant and innocent countryside, but not for him a mere body in the wardrobe. There are many, many bodies and an ancient crime more terrible than murder.He is out of his jurisdiction, out of his depth, out of bacon sandwiches, and occasionally snookered and out of his mind, but never out of guile. Where there is a crime there must be a finding, there must be a chase and there must be a punishment. They say that in the end all sins are forgiven.But not quite all...

Wednesday, October 19, 2011

The Conjurer by Hieronymus Bosch

The Conjurer, by Hieronymus Bosch, depicts a medieval magician performing for a small crowd, while pickpockets steal the spectators' belongings. The painting, on display at the Musée Municipal in St.-Germain-en-Laye, France, illustrates that magicians have long known how to hack into our mental processes. The principles of magic, refined and perfected over the centuries, provide neuroscientists with new ways to study the brain and could help them in their quest to reveal how the organ performs the greatest trick of all - consciousness itself.
Studies of inattentional blindness show that focused attention can make us oblivious to sights that would otherwise be glaringly obvious, while studies of change blindness show that dramatic changes in a scene can go unnoticed if they occur during a brief interruption, even when we look directly at the scene.

Magicians take advantage of this to manipulate their spectators' attentional spotlight. They know, for example, that the eyes give off important social cues, and that people have a natural impulse to pay attention to the objects that others are attending to. They exploit this 'joint attention' by using their eye movements to divert the audience's attention away from the 'method' – the secret action behind the trick – and towards the magical effect.
They also know that the sudden appearance of a new and unusual object will immediately draw the audience's attention. Hence, producing a flying dove gives them an opportunity to perform other hidden manoeuvres.

"11th annual meeting of the Association for the Scientific Study of Consciousness," Martinez-Conde explains. "Traditionally, this was a very academic conference that had no impact outside the specialist field. We wanted to reach the general public as well, but we weren't sure exactly what to do."

The wife-and-husband team went to Las Vegas, where the conference was to be held. It was then, while scouting for potential conference venues, that the idea first came to them. "We saw a lot of ads for magic shows and realized that was the connection we were looking for. We contacted a number of magicians, such as Penn and Teller, James Randi and Apollo Robbins and invited them to a special symposium [at the conference], to share their insights into what makes magic work in the mind of the spectator."

Monday, October 17, 2011

Fighting talk from the prophet of peace

Pinker's assault on the common reader began in 1994 with The Language Instinct, an accessible introduction to the idea that humans are "language animals", biologically wired for linguistic communication. In 1997 he published How the Mind Works, which went beyond language to offer a similar portrayal of the rest of the mind, from vision and reasoning to emotions, humour and art. In 1999 he returned to the question of language with Words and Rules: The Ingredients of Language, which drew on his research on regular and irregular verbs as a way of explaining how language works in general.

And in 2002 he published The Blank Slate: The Modern Denial of Human Nature, which is basically an attack on what Pinker sees as three great misconceptions about human behaviour: the idea that the mind is a tabula rasa, a blank slate that is wholly shaped by one's environment; the notion of the "noble savage", the idea that humans are intrinsically good but get warped by society; and "ghost in the machine" theories that postulate the existence of a non-biological agent in the brain that can alter human nature at will.

This is a big idea if ever I saw one, and it requires a massive tome (700 pages plus footnotes) to deal with it. In the first place, Pinker has to locate, analyse and explain the empirical and other data that support his thesis: that, however you measure it, the past was not just a different country, but also a far more violent one. And then he has to provide some explanations for why the long-term reduction in violence happened. To do that he ranges far beyond his own professional territory – into forensic archaeology, political philosophy, intellectual and social history, population dynamics, statistics and international relations. He identifies a number of forces that were key factors in curbing mankind's capacity for inhumanity: the slow emergence of states capable of playing the role of Hobbes's "Leviathan"; the pacifying impact of commerce and trade on behaviour; the impact of the Enlightenment on the way people thought about others; the evolution of notions of etiquette over the centuries; the way print and literacy expanded the "circle of empathy" beyond people's immediate family; the importance of women in civilising men; and the "long peace" that followed the second world war.

Friday, October 14, 2011

Orson Scott Card's novel Enders Game

Lavie Tidhar explores one of those realities in his new novel from PS Publishing, Osama. Tidhar is not a writer to mess around with half measures when confronting a ticklish subject. The Israeli born novelist's short story collection Hebrew Punk features thrilling tales of Jewish vampires, while Jesus and the Eightfold Path argues that Christ was actually a Buddhist. His recent short story The School, a satire of Orson Scott Card's novel Enders Game, started a minor internet meme when it called out a number of Tidhar's fellow SF writers for their militaristic and homophobic attitudes.

And now Tidhar gives us an evil-eyed, turbaned silhouette, standing behind the smoking name of the world's most hated terrorist, as the cover of a novel featuring one Osama Bin Laden: Vigilante, even if only in an off-stage role. If this brief introduction to Osama brings to mind Philip K Dick's seminal science fiction novel The Man in the High Castle, that is because Tidhar has deliberately co-opted a number of trademark Dickian techniques in his latest work. PKD's most accomplished literary novel describes a world where the German and Japanese Axis Powers won the second world war, and dominate the North American continent between them. The novel's central characters are fascinated by and slowly drawn into the world of The Grasshopper Lies Heavy, a novel within a novel which describes an alternative history in which America and her allies won the war.

One common problem for all science fiction writers is reconciling the wondrous world we could have with the one we have negligently stumbled into. At this exact moment in time, in an alternate reality governed by the Grandmasters of Sci-Fi, there is a version of you living a life of luxury in a post-scarcity paradise where your every whim is met by your own robo-butler. Of course, that may already be your daily reality if you are a hedge-fund manager or MP on expenses, while the rest of us are simply grateful to avoid stacking shelves in Tesci. There are certainly worse realities, but there are also so many better ones.

PKD was at his best when happily tinkering with the constructed nature of modern reality, in which he believed "spurious realities are manufactured by the media, by governments, by big corporations, by religious groups and political groups" and "we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms". Today, the sophisticated people manufacturing our reality have more sophisticated ways to do it than ever, through the television and computer screens, smartphones, the internet and social media. The collapse of our financial system is exposing just how spurious and manufactured, even fictional, much of our reality is. From banks using mathematical algorithms to extract vast sums of non-existent money from an automated stock market, to a presidential candidate whose main claim to power is his ability to execute wrongdoers, little of our contemporary history would seem out of place in the fiction of a paranoid, acid-tripping, hack SF novelist.

Tuesday, October 11, 2011

Digested read, by James Corden

Tell us what you think: Star-rate and review this book. To be honest, I'm a bit all over the place.I've never written a book before and how do I begin to tell you about my life? Especially as I'm only 32 and haven't done very much. In fact, I've just realised you may not actually have purchased this book and are just reading the first page to see if you're interested. I'm guessing you're not overly impressed so far, but then I'm not that bothered as I've already banked more than £1m as an advance and there's no chance of the book earning out.
My gorgeous wife Jules, the most gorgeous talented wife in the world, was due to have a baby in a week's time and I had been planning to get the book knocked off before the birth but she's gone into labour early so I'm going to have to get a bit of a bend on and bash it out before they both come home from hospital. Have I told you I haven't written a book before? What shall I do? Hey, just had an email from my publisher that any old drivel will do as long as I make the word count. So is this OK? I really hope so, because I really, really want you to like me. Hey, that's one chapter down. This book writing is easier than I thought. So let me tell you a funny story. On second thoughts, let's just call it a story.

My parents were both in the Salvation Army and I knew from the first time I stood on a chair at my sister's christening that I was going to be a performer. Fascinating. So what else can I tell you? We lived near High Wycombe and we were the happiest family ever. It may surprise you to know that when I was 11 my parents sent me to secondary school. I wasn't the brightest kid on the block, but somehow I always had this faith in my acting talents and when I left school and got a part in the West End musical Martin Guerre – definitely up there as one of the best musicals ever written, in my opinion. I was the happiest person on the entire planet as I was working with some of the most talented people I have ever met.

The Church of Alan Darcy, starring Bob Hoskins. I don't suppose many of you saw the movie but it is definitely one of the best films ever made and Bob is one of the most iconic actors of his generation and taught me more about acting than anyone else apart from all the other extremely talented actors I went on to work with later. I should also mention that it was at this time I met Shelley, the most talented and beautiful girl in the world, and we stayed together for eight of the happiest years of my life. "Are you sitting down, James?" It was my agent on the phone. "Mike Leigh wants you to star in a film alongside Alison Steadman." Can you believe it? Me, working with Mike and Alison the two most talented people in the world. Ever. I was like, "Yes. When can I start?" it was just such a totally mind-blowing experience working with such talented people and I wondered if I would ever get to work with such talented people again, but luckily I got to work on Fat Friends and Teachers with some more of the most talented actors and directors in the world. Ever, ever.

Monday, October 10, 2011

Nobel literature laureates as role models

Regarding Nobel literature laureates as role models would be a mistake. Half the American winners alone – Faulkner, Ernest Hemingway, Sinclair Lewis, Eugene O'Neill, John Steinbeck – were alcoholics. Hemingway killed himself; Kawabata Yasunari probably did too, and the aforementioned Harry Martinson tried ineffectually to end his life with scissors during the outcry over his questionable shared victory. Maurice Maeterlinck was exposed as a plagiarist, Günter Grass as having fought with the Waffen-SS. André Gide's long-running relationship with Marc Allégret began when the latter was 15. Sartre has been portrayed as benefiting from, in effect, the procuring of distressed young women by his partner, Simone de Beauvoir.

Tomas Tranströmer joins a curious club in which giants such as WB Yeats, Rabindranath Tagore, TS Eliot and Jean-Paul Sartre are outnumbered by obscure figures (often Scandinavian realist novelists or poets from Mediterranean or Latin countries) you've never heard of. Several should not be in at all, according to the contemporary interpretation of the prize's rules as excluding anyone except imaginative writers; the roll of honour includes the philosophers Henri Bergson, Rudolf Christoph Eucken and Bertrand Russell, the Roman historian Theodor Mommsen and Winston Churchill, whose chronicle of the second world war (put together by young researchers) secured his entry as a historian. Erik Axel Karlfeldt, a Swedish poet, was not only dead when awarded the 1931 prize but until his death had been permanent secretary of the awarding body, the Swedish Academy.

Two more little-known Swedes who were then academy members, Eyvind Johnson and Harry Martinson, were scandalously jointly honoured in 1974. Politically, the laureates range from Knut Hamsun, who eulogised Hitler, to Pablo Neruda, who composed an ode to Stalin, and Mikhail Sholokhov, who had been a Supreme Soviet member under him; left-of-centre views perhaps predominate (Jorge Luis Borges's support for rightwing regimes is said to have put paid to his chances), but conservatives such as Eliot, François Mauriac and VS Naipaul have received the nod too. Creatively, authors at the avant-garde end of modernism or writing experimental novels, plays or poetry after 1945 are scarce – Eliot, William Faulkner, Samuel Beckett, Claude Simon and José Saramago are the most obvious adventurers. Conversely, Proust, Joyce and other difficult authors have been shunned.

Friday, October 7, 2011

Nobel prize for literature liveblog-2

The Post points to comments from Peter Englund, permanent secretary of the Nobel committee, in which he said that the academy "has started to work actively to broaden its scope beyond Europe and the English-speaking world". You can listen to an interview Richard Lea did with him earlier this year, here. Looking around at what people are reporting, most are buzzing about Bob Dylan's streak up the odds, but there's a good Washington Post piece asking whether this is the year when the Nobel committee will turn its gaze east, towards Asian and Middle Eastern literature. South Korean poet Ko Un and Syria's Adonis have featured in the favourites list for years; both would be worthy winners, and there's a particular sense that to award the prize to a Syrian author in the year of Arab Spring would be timely.

Just tuned in to the webcast, and I can exclusively report that we are currently looking at a room of people, milling around, waiting - much as we are - for something to happen. There's some up-tempo muzak, though, and several nice chandeliers.

It looks as if the Nobel website has gazumped itself: go to the front of the Nobel prize for literature site, and they appear to have posted the name of the winner: Serbian author Dobrica Cosic.

"Serbian author Dobrica Cosic recipient of 2011 Nobel prize in Literature
"We lie to deceive ourselves, to console others, we lie for mercy, we lie to fight fear, to encourage ourselves, to hide our and somebody else's misery."
Citation from the novel trilogy Divisions (Deobe)
The Nobel Prize in Literature for 2011 is awarded to the Serbian author Dobrica Cosic, the last dissident of the 20th century, witness of a declining era, as well as the prophet of an emerging one.
All his life Dobrica Cosic has been writing one continuous story, one novel. One doesn't easily forget his characters and the meaning of their universal love, hate, pleasure and pain"

 We'll have more content as the day goes on, including poems from the New Collected Poems, and reaction from critics. Stay tuned for all of that, and happy Nobel day to you all.

Thursday, October 6, 2011

Nobel prize for literature liveblog-1

Good morning, and welcome to our first-ever Nobel prize for literature liveblog. The prize is announced at 1pm in Sweden - that's 12 noon our time. You can watch a live webcast of the announcement here (and I strongly advise you to do so: sitting around watching a webcast of a pair of gilt doors constitutes my favourite moment of the literary year. The excitement when the doors finally open is quite out of proportion). We'll post the winner as soon his or her name is announced, and then round up reaction, extracts and whatever else we can lay our hands on.

Odds can be a good indicator for the Nobel - in 2009, Herta Muller zoomed up the rankings on the morning of the announcement, and sure enough, yomped off with the prize. But as MA Orthofer points out over on the excellent Literary Saloon, "remember that at closing last year it was Cormac McCarthy that led the pack at 3:1 (with Murakami at 5:1)" - and Maria Vargas Llosa came from nowhere to win. It doesn't do to get carried away. What news so far? Well, the odds have shifted around again in the night. Dylan continues to lead the pack at 5:1 (inexplicably, in my view - but there's a good discussion going on on yesterday's blog about his candidacy as to why he would in fact be a deserving winner). Hot on his heels is Algerian-born Académie Française member Assia Djebar, who is currently tying for second place in with Haruki Murakami, both at 6:1.

Journalists hate the Nobel because it's such an unknown quantity: there's no shortlist, so no way of knowing whether you're going to be confronted with a winner about whom you know very little (I refer you to the now-infamous Year of Jelinek, about which the less said, the better). But what's nerve-racking for us may well be conversely entertaining for you, on the other side of the computer screen. Either way, it certainly adds some spice to the proceedings.

Here's a full list of the winners of the prize to date, and let's while away the minutes until the announcement with some idle speculation. For the record, my money's on Adonis - but I've never guessed one right yet, so I beg of you, don't take me word for it .

Wednesday, October 5, 2011

I am like reading

I don’t like that. I feel like I’ve lost something – my creative edge – my brains. I feel like I used to be smarter.

I started reading a book called Off the Grid, which I agreed to review for Globalshift.org, so it was more of an obligation read than a fun read. Three pages in and I’m hooked. It’s a fascinating look at what it takes to live outside of a community with water and power and 9-5 jobs. The author references Thoreau’s Walden and I remembered reading that book in college and studying the whole Walden Pond movement, which was somewhat akin to the hippie commune concept of the sixties.

I was born a reader. I read fiction books and biographies, history books and books about movies and how to books, poetry and scripts.

If I collected every word I read in day and put it on a piece of paper, I’d probably find that I read the equivalent of a novel, every day. But they’re scattered words.

It reminded me of Los Alamos phase a few years ago where I read everything written on Oppenheimer and the bomb. I miss being that invested in a subject.

Thoreau said, ‘How vain it is to sit down to write when you have not stood up to live.’

I think this is why I haven’t written any good fiction lately. Because I’ve stopped learning and stopped living. Though I did learn how to move a database, but I don’t know that that really counts.